Poet

@Carolina_Abril_ detrás de la cámara – Sesión de fotos con Stephen Roissy

 

Carolina Abril - Photo by Stephen Roissy

Carolina Abril – Photo by Stephen Roissy

Publicado el 22 de nov. de 2014

Model Carolina Abril, detrás de la cámara en una sesión de fotos. Fotógrafo Stephen Roissy para la web: http://shoppingwithapornstar.com/En el papel de “O” en Historia de “O”

 

The rise and fall of ziggy stardust

Ascenso y caída.

Ascenso y caída.

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust.[1] It peaked at No. 5 in the United Kingdom[2] and No. 75 in the United States on the Billboard Music Charts.[3]

The album tells the story of Bowie’s alter ego Ziggy Stardust, a rock star who acts as a messenger for extraterrestrial beings. Bowie created Ziggy Stardust while in New York Citypromoting Hunky Dory and performed as him on a tour of the United Kingdom, Japan and North America.[4] The album, and the character of Ziggy Stardust, was known for its glam rock influences and themes of sexual exploration and social commentary. These factors, coupled with the ambiguity surrounding Bowie’s sexuality and fuelled by a ground-breaking performance of “Starman” on Top of the Pops,[5] led to the album being met with controversy and since hailed as a seminal work.[6]

The concept album is about a bisexual alien rock superstar, and includes use of a series of atonal and rhythmically irregular tape effects. The concept album sheds a light on the artificiality of rock in general, including issues of politics, drug use, and sexual orientation.[7]

The Rise and Fall of Ziggy Stardust and the Spiders From Mars has been consistently considered one of the greatest albums of all time, with Rolling Stone magazine ranking it the 35th greatest ever.[8] It was ranked the 20th greatest album ever in a 1997 British survey, the 24th greatest of all time by Q magazine and one of the 100 greatest releases ever byTime magazine. A concert film of the same name, directed by D.A. Pennebaker, was released in 1973.

El ascenso y caída de Ziggy Stardust.

Publicado el 3 de may. de 2014

Temas (Tracks):
00:00 – Five Years
04:43 – Soul Love
08:17 – Moonage Daydream
12:54 – Starman
17:10 – It ain’t easy
20:10 – Lady Stardust
23:31 – Star
26:18 – Hang on to Yourself
28:57 – Ziggy Stardust
32:11 – Suffragette city
35:36 – Rock ‘n Roll Suicide

Other Albums:

* David Bowie – Never let me down https://www.youtube.com/watch?v=aQtZO…

 

Ziggy Stardust and the Spiders from Mars (film)

From Wikipedia, the free encyclopedia
Ziggy Stardust and the Spiders from Mars
Ziggy Stardust Motion Picture.jpg
Directed by D.A. Pennebaker
Produced by Tony Defries
Starring David Bowie
Mick Ronson
Trevor Bolder
Mick Woodmansey
Angela Bowie
Music by David Bowie
Cinematography Nick Doob
Randy Franken
Edited by Lorry Whitehead
Production
company
Bewlay Bros.
Mainman
Pennebaker Hegedus Films
Distributed by 20th Century Fox
Release dates
December 1973
Running time
90 minutes
Country UK

Ziggy Stardust and the Spiders from Mars is a 1973 documentary and concert movie by D.A. Pennebaker. It features David Bowie and his backing group The Spiders from Marsperforming at the Hammersmith Odeon, 3 July 1973. The DVD release was later retitled Ziggy Stardust and the Spiders from Mars: The Motion Picture.

David Bowie – Ziggy Stardust and the Spiders from Mars motion picture 1973

666

666

 

La mugre y la furia (The Filth and the Fury) – Sex Pistols. Documental COMPLETO.

AL POPULACHO DE INGLATERRA …….

God-Save-The-Queen

God-Save-The-Queen

X

X

 

Actualizado el 22 de dic. de 2011

Documental sobre el legendario grupo punk “The Sex Pistols”. Los Sex Pistols sólo duraron 26 meses y grabaron un solo disco, sin embargo cambiaron el panorama musical por completo. The Filth And The Fury es un irreverente, íntimo y estremecedor retrato del que quizá sea el grupo de rock más célebre de todos los tiempos. El documental acerca de la historia de los Sex Pistols, siguiendo su ascensión desde los sucios callejones de Londres de los años setenta y a lo largo de su crucifixión por los periódicos sensacionalistas británicos y su canonización por los cientos de miles de fans de todo el mundo, hasta su estallido final durante una gira por Norteamérica. A lo largo de ese camino se desmontan mitos, se saldan cuentas pendientes y se oyen por primera vez las palabras del grupo que de una vez por todas sale de la sombra del que fue su egocéntrico representante, Malcolm McLaren. La película, que cuestiona el telón de fondo político, económico y cultural de Londres de mediados de los setenta, evoca lo que se convirtió en un momento de transición clave de la historia social inglesa.

EL PUNK NO HA MUERTO, VIVA EL PUNK