Hack

Fnord

Fnord is a word used in newsgroup and hacker culture to indicate that someone is being ironic, humorous or surreal.[1] Often placed at the end of a statement in brackets (fnord) to make the ironic purpose clear, it is a label that may be applied to any random or surreal sentence, coercive subtext, or anything jarringly out of context (intentionally or not). It is sometimes used as a metasyntactic variable in programming.[2] It appears in the Church of the SubGenius recruitment film Arise! and has been used in the SubGenius newsgroup alt.slack.[citation needed] The word was coined in 1965 by Kerry Thornley and Greg Hill in the Principia Discordia and it was popularized following its use in The Illuminatus! Trilogy, 1975.

https://en.wikipedia.org/wiki/Fnord

INVESTIGA EN LA OBSCURIDAD ...

INVESTIGA EN LA OBSCURIDAD …

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Ethical hackers against zombies

NOSOTROS, LOS HACKERS ETICOS Y NUESTRO DESTINO………

La muerte de Sócrates

La muerte de Sócrates

La muerte de Sócrates es una pintura de 1787 realizada por el artista francés Jacques-Louis David.

La obra representa la escena de la muerte del filósofo griego Sócrates, condenado a morir bebiendo cicuta por haber expresado sus ideas en contra de la creencia de los dioses ancestrales y corromper a los jóvenes atenienses.

Critón es el discípulo que pone su mano en el muslo del maestro, como intentando hacerle desistir de su decisión. En la parte de la izquierda, sentado y abatido, se encuentra Platón que, según el mismo escribió en el Fedón, en realidad no estaba presente este día por encontrarse enfermo. El carcelero le tiende la copa de cicuta con gesto de tristeza o vergüenza. Domina la escena el propio Sócrates, alzándose de manera decidida, resuelto a tomar el veneno tras haber pronunciado su discurso sobre la inmortalidad del alma.

Sócrates representa la muerte del conocimiento, del pensamiento libre, de la libertad individual, todo lo que encarna y defiende el Hacker Etico,

la lucha contra la tiranía. La cicuta, nunca mejor representada por el virus que transforma al Ser Humano en Zombie, un espíritu ambriento, obsesionado con el

consumo de sus semejantes, infectado por el virus de la ignorancia y la falta de absoluto.  by Hacksperger

NUESTRO JUEGO:

The Cardigans My Favourite Game

#DELETE la programación infectada

#DELETE la programación infectada

El pensamiento zombie corrompe la verdad, la belleza…. [PENSAMIENTO UNICO]*

La decadencia de Norma

La decadencia de Norma

The Cranberries – Zombie

TRINIDAD TEAM

TRINIDAD TEAM

#HackUniversalCode #HelloDave #werther-bureau #TheGarage #ZombieFarm

#HackUniversalCode #HelloDave #werther-bureau #TheGarage #ZombieFarm

#HackUniversalCode #HelloDave #werther-bureau #TheGarage #ZombieFarm

EL PROCESO

El primer elemento del juicio fue la acusación formal. Los tres hombres en presentar cargos contra Sócrates fueron:

  • Anito, hijo de un ateniense prominente, Antemión.
  • Meleto, poeta, es el que presenta la denuncia ante el arconte.
  • Licón, del cual poco se sabe; de acuerdo con Sócrates platónico, era representante de los oradores.

Luego de haber decidido que existía un caso ante el cual debía darse una respuesta, el arconte indicó a Sócrates que se presentara frente a un jurado de ciudadanos atenienses, para contestar a los cargos de corrupción de los jóvenes atenienses y asebeia (impiedad).

Los jueces fueron seleccionados por lotería de entre un grupo de ciudadanos voluntarios varones (la ciudadanía no incluía a mujeresesclavos ni extranjeros residentes) pertenecientes a cada clase social. A diferencia de cualquier juicio llevado a cabo en muchas sociedades modernas, la mayoría de los veredictos eran regla más que excepción (para una versión satírica de los jueces y tipos de personas que se podían encontrar en ellos, véase la comedia de Aristófanes Las avispas).

Sócrates se enfrentó a un jurado compuesto por 500 ciudadanos (su gran tamaño demuestra que el juicio era visto como algo importante) y después de que él y su acusador hubieran presentado sus disertaciones, el jurado votó a favor de condenarlo por 280 contra 220.

A continuación, Sócrates y el fiscal sugirieron varias sentencias alternativas. Tras expresar su sorpresa ante lo poco que fue necesario para declararlo culpable, Sócrates propuso en forma de broma una sentencia compuesta por comidas gratuitas en el Pritaneo (un honor que era reservado a los benefactores de la ciudad y los ganadores de los Juegos Olímpicos), luego se ofreció a pagar una multa de 100 dracmas, lo cual equivalía a una quinta parte de sus posesiones y era prueba irrefutable de su pobreza. Por último, acordó pagar la suma de 3.000 dracmas (la idea le había sido propuesta por Platón, Critón, Critóbulo y Apolodoro, quienes también le garantizaban su pago). Su acusador propuso la pena de muerte.

El jurado estuvo a favor de la pena por gran mayoría (360 contra 140), demostrando, según Platón, que Sócrates había perdido apoyo debido a su tono de ligereza y el hecho de no pedir disculpas.

Los seguidores de Sócrates le recomendaron huir,1 lo cual era esperado (e incluso habría sido aceptado) por la ciudadanía; pero él se negó por principios. Por coherencia con su propia filosofía de obediencia hacia las leyes, llevó a cabo su propia ejecución bebiendo la cicuta con la cual lo habían provisto.2 Así, se convirtió en uno de los primeros de los escasos “mártires” intelectuales. Sócrates murió a la edad de 70 años.

Oasis – Wonderwall – Official Video

 

El Proyecto Gutenberg (PG) fue desarrollado por Michael Hart en 1971 con el fin de crear una biblioteca de libros electrónicos gratuitos a partir de libros que ya existen físicamente. Estos libros electrónicos se encuentran disponibles desde entonces en Internet.

Los textos que se proporcionan son principalmente de dominio público, bien porque se obtuvo la autorización del autor o titular de los derechos de autor, bien porque éstos derechos ya han expirado y la obra se encuentra en Dominio público. También hay algunos textos bajo derechos de autor que el Proyecto Gutenberg ha hecho disponibles con el permiso de sus escritores. Al proyecto se le puso el nombre del impresor alemán del siglo XV Johannes Gutenberg, quien inventó laimprenta de tipos móviles. En noviembre de 2009 el Proyecto Gutenberg tenía casi 30.000 libros en su colección, de ellos 267 en español. En portugués había 364, en inglés 25496, y en francés 1496.

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Superhero-Zombies-

Superhero-Zombies-

 

The Zombie Survival Guide by Max Brooks 

Veil of ignorance

This article is about the philosophical concept. For the music album, see Veil of Ignorance (album).

The veil of ignorance and the original position are concepts introduced by John Harsanyi[1][2] and later appropriated by John Rawls in A Theory of Justice.[3][4] It is a method of determining the morality of a certain issue (e.g., slavery) based upon the following thought experiment: parties to the original position know nothing about their particular abilities, tastes, and position within the social order of society.
The veil of ignorance blocks off this knowledge, such that one does not know what burdens and benefits of social cooperation might fall to him/her once the veil is lifted. With this knowledge blocked, parties to the original position must decide on principles for the distribution of rights, positions and resources in their society. As Rawls put it, “…no one knows his place in society, his class position or social status; nor does he know his fortune in the distribution of natural assets and abilities, his intelligence and strength, and the like”.[5] The idea then, is to render moot those personal considerations that are morally irrelevant to the justice or injustice of principles meant to allocate the benefits of social cooperation.
For example, in the imaginary society, one might or might not be intelligent, rich, or born into a preferred class. Since one may occupy any position in the society once the veil is lifted, the device forces the parties to consider society from the perspective of all members, including the worst-off and best-off members.
continuará…………..

Spider Jerusalem of Transmetropolitan 0001

Spider Jerusalem is a fictional character and the protagonist of the comic book Transmetropolitan, created by writer Warren Ellis and artist Darick Robertson, introduced under the now-defunct Helix imprint of DC Comics before being moved to the Vertigo imprint.

He is a sarcastic, drug-addicted, foul-mouthed, troubled, bitter, but deeply brilliant gonzo journalist with a deep-seated hatred of authority, political corruption and dogs. Almost always drawn wearing a set of stereoscopic sunglasses with one lens red and the other green, and is most often compared to the real-life figure Hunter S. Thompson.

Spider is a renegade gonzo journalist forced to return to The City after having exhausted a substantial advance from a publisher without completing the books required by contract. After five years of effective retirement as a long-haired hermit in a compound in the mountains, he returns to The City to complete the books, takes up work for an urban newspaper to support his writing, and finds himself battling political corruption at the highest level.

Spider Django Heraclitus Jerusalem

Spider Django Heraclitus Jerusalem

One of Spider’s most apparent character traits is his heavy drug use, which he makes no attempt to conceal. In addition to being a chain smoker and heavy drinker, Spider uses an extensive and bewildering variety of drugs ranging from mild stimulantsintellect enhancers, and mood-altering drugs to cocaine, heroin and rare, exotic, futuristic drugs. As is common in his society, Spider is resistant or immune to many forms of drug addiction, as well as lung cancer. Spider is well known for his foul language, especially when combining the word “fuck” with other words to make new and amusing insults. Spider is easily angered, his displays of temper ranging from mild verbal outbursts to violent physical assault. However, despite his temper and contempt for the City as a whole, Spider is often seen to treat innocents (particularly children) with kindness and care.

Spider’s past is not well known, however characters like Mitchell Royce and Spider himself have referred to past memorable incidents such as the enfant terrible (a French child assassin from the Anglo/Franco war) and the Prague telephone incident (in which Spider caused six politicians to commit suicide using just a phone). There are also hints at his childhood and early ambitions—”I wanted to be a sniper when I grew up. Didn’t everyone?”—and his parents’ growing madness. He claims to have worked as a prostitute at some point in the past, and as a stripper at 8 years old. He grew up on the City’s docks with drunken parents as an only child. His father drove a city bus and his mother was a housewife who cooked lizards for breakfast, lunch, and dinner every day. He returned to the docks as an adult to see that everyone was gone and the docks were abandoned and vowed to never forget his childhood there.

Transmetropolitan

Transmetropolitan

Spider is a firm believer in the truth and delivering it to his readers in the most direct and blunt manner possible; he often capitalizes it as “The Truth” in his writing for emphasis. This is most notable in one story, when Spider’s editor recounts the tale of how Spider submitted an article on the election of the Richard Nixon-analogue “The Beast“, which consisted of the word “fuck” repeated eight thousand times (see Transmetropolitan #1). His approach to journalism has been encapsulated by Spider as “The truth…no matter what,” and his appraisal of others rises if they feel the same way.

The primary focus of conflict within Spider’s psyche, over the course of the series, is a combination of concern for his delivery of ‘The Truth’ and misanthropy towards his public. Spider hates and struggles against authority figures who oppress others, but he is also bitter toward the uninvolved public who give the authority its power. Likewise, he struggles to convince the public to listen to The Truth, but is disgusted by those who blindly accept what he reports. In addition, Spider’s talents earn him unwanted fame and adoration, which clouds his ability to “get at The Truth”, often resulting in him experiencing writers block and depression. His editor, Mitchell Royce, opines that Spider needs to be hated in order to function as a writer and journalist.

Despite his absolute disdain for those around him, Spider is quite loyal to those few who he considers friends and is equally quick to hurt those who would betray him. Indeed, much of Spider’s motivation in the second half of the series was dedicated to bringing the President to justice for ordering the murder of Vita Severn, whom Spider had befriended.

Although he opposed The Beast, Spider is not loyal to any political party or organization, and his initial support of The Smiler was tinged with contempt at his cynical attitude and false altruism. He is also an avowed, often virulent atheist who opposes all organized religion, which he sees as little more than unworthy authority figures that exploit their members. It is therefore interestingly ironic when, in an early issue of the series, Spider travels to a religious convention and begins upending tables and destroying booths while wearing an improvised robe, a reference to Jesus throwing the money changers out of the Temple.

hack

hack

Influences[edit source | editbeta]

Spider Jerusalem is reminiscent of previous “muck-raking” or “Gonzo” journalists such as H. L. Mencken and Hunter S. Thompson.

Hunter S. Thompson is perhaps the most obvious inspiration for the character of Spider Jerusalem, and the fictional reporter’s fondness for weaponry and spectacular consumption of drugs both indicate a resemblance toward the American gonzo journalist. (In Transmetropolitan #13, page 5, a book by Thompson is clearly visible amongst the objects strewn across the table in Spider’s apartment. A book entitled “FEAR AND LOATHING” is also visible in Issue #1, Page 1, Panel 3, in the lower left-hand corner of the panel.)

Visually, Spider Jerusalem is based on Darick Robertson’s friend Andre Ricciardi.

 

Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author. Born in Louisville, Kentucky to a middle class family, Thompson had a turbulent youth after the death of his father left the family in poverty. He was unable to formally finish high school as he was incarcerated for 60 days after abetting a robbery. He subsequently joined the United States Air Force before moving into journalism. He traveled frequently, including stints in Puerto Rico and Brazil, before settling in Aspen, Colorado in the early 1960s.

Thompson became internationally known with the publication of Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1967), for which he had spent a year living and riding with the Angels, experiencing their lives and hearing their stories first hand. Previously a relatively conventional journalist, with the publication in 1970 of “The Kentucky Derby Is Decadent and Depraved” he became a counter cultural figure, with his own brand of New Journalism he termed “Gonzo“, an experimental style of journalism where reporters involve themselves in the action to such a degree that they become central figures of their stories. The work he remains best known for is Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1972), a rumination on the failure of the 1960s counterculture movement. It was first serialized in Rolling Stone, a magazine with which Thompson would be long associated, and was released as a filmstarring Johnny Depp and directed by Terry Gilliam in 1998.

Politically minded, Thompson ran unsuccessfully for sheriff of Pitkin County, Colorado, in 1970, on the Freak Power ticket. He was well known for his inveterate hatred of Richard Nixon, whom he claimed represented “that dark, venal, and incurably violent side of the American character”[1] and whom he characterized in what many[who?] consider to be his greatest contribution to American literatureFear and Loathing on the Campaign Trail ’72. Thompson’s output notably declined from the mid-1970s, as he struggled with the consequences of fame, and he complained that he could no longer merely report on events as he was too easily recognized. He was also known for his lifelong use of alcohol and illegal drugs; his love of firearms, and his iconoclastic contempt forauthoritarianism, and remarked that, “I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they’ve always worked for me.”

While suffering a bout of health problems, Thompson committed suicide at the age of 67. As per his wishes, his ashes were fired out of a cannon in a ceremony funded by his friend, Johnny Depp, and attended by a host of friends including then Senator John Kerry and Jack NicholsonHari Kunzru wrote that, “the true voice of Thompson is revealed to be that of American moralist … one who often makes himself ugly to expose the ugliness he sees around him.”[2]

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#ZombieFarm TV zombification instrument

#ZombieFarm  TV zombification instrument
Belleza dormida, verdad dormida, libertad dormida.
Beauty asleep, asleep truth, freedom asleep.
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#ZombieFarm

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Photographer Stephen Roissy

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The Active and Ethical Hacker

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#CRIPTO by Hacksperger Estudios cúbicos by Hacksperger #SECRET

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