El hombre pájaro
De izquierda a derecha, los actores estadounidenses Amy Ryan, Edward Norton, Emma Stone, el director mexicano Alejandro González Iñárritu, el actor Michael Keaton y la actriz británica Andrea Riseborough. / CLAUDIO ONORATI (EFE)
BIRDMAN – Official Teaser (2014) HD
Publicado el 13/6/2014
BIRDMAN – Official Teaser starring Michael Keaton, Edward Norton, Emma Stone and directed by Alejandro González Iñárritu.
A washed-up actor who once played an iconic superhero must overcome his ego and family trouble as he mounts a Broadway play in a bid to reclaim his past glory.
Release Date: 17 October 2014
Director: Alejandro González Iñárritu
Cast: Emma Stone, Edward Norton, Naomi Watts, Andrea Riseborough, Zach Galifianakis, Michael Keaton, Amy Ryan, Joel Garland
BIRDMAN – On Set STUNT FOOTAGE (2014) – Michael Keaton Movie
This is one of the many takes of an action scene from the movie Birdman, starring Michael Keaton, Emma Stone, Edward Norton, and Zach Galifianakis. Directed by Alejandro González Iñárritu. Basic plot and information available on IMDb.
Festival de Cine de Venecia
BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) [OPENING FILM] – ALEJANDRO GONZÁLEZ IÑÁRRITU
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Birdman or (The Unexpected Virtue of Ignorance) is a black comedy that tells the story of an actor—famous for portraying an iconic superhero—as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and himself.
27 August 19:00 – Sala Grande27 August 20:00 – PalaBiennaleVENEZIA 71Birdman or (The Unexpected Virtue of Ignorance) [Opening Film] by Alejandro González Iñárritu – USA, 119′
language: English – s/t Italian
Michael Keaton, Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, Naomi Watts
Even though today many people travel with it willingly, the truth is that certainty is not my cup of tea. In fact, it always dissipates every time I am asked the reason behind a movie. I am more a man of questions than answers. Of methodic inquisitiveness rather than rigid conviction. When everything is laid out clearly, it ties our hands and it is easy to lose the only certainty in which I believe, which is the one of action. However, I have an intuition. The one of knowing that my aspiration and the one of every artist to transcend it is not but a vain illusion. In front of the infinitude of time, our finite and miniscule participation in reality, often transforms this noble wish into delirium. Under the dictatorship of ego, all of us succumb. It rejoices us in the glories of our past or it plunges us into the anxiety of the possible miseries of our future. Unable to cope with the present, it makes the real life pass us by, making us lose our appointment with it. The battle of the ego… it’s so tragic that it is comic. As Don Quixote, we are no more than a ridiculous comedy of mistakes. If film is just a bunch of truths told through lies or a bunch of lies told with much truth, then maybe, without blinking and in one and only continuous point of view, this film represents my own battle against ego. Or maybe, I only wanted to make this film because as Sam says to Riggan… “I am terrified to death, as the rest of us, that I don’t matter.” Anyway, as I told you, certainty is not my cup of tea.