BDSM

Fifty Shades of Grey #model Carolina Abril

Model Carolina Abril

Work Stephen Roissy

Cincuenta sombras de Grey (en inglés: Fifty Shades of Grey), es una novela erótica de 2011 de la autora británica E. L. James. Narrada en gran medida en Seattle, es la primera entrega de una trilogía que describe la relación entre una recién graduada de la universidad, Anastasia Steele, y un joven magnate de negocios, Christian Grey. Se destaca por sus escenas explícitamente eróticas, con elementos de las prácticas sexuales que involucran: bondage/disciplina, dominación/sumisión, sadismo/masoquismo (BDSM).

50 sombras de Grey

50 sombras de Grey

SAMPLES:

Model Carolina Abril Work Stephen Roissy

Model Carolina Abril Work Stephen Roissy

Carolina Abril

Carolina Abril

Model Carolina Abril: https://twitter.com/Carolina_Abril_

Carolina Abril Sumisa

Carolina Abril Sumisa

TOTAL WORK:  http://shoppingwithapornstar.com/

 

Catherine Robbe-Grillet aka Jeanne de Berg

Catherine Robbe-Grillet (1930París), cuyo apellido de soltera fue Rstakian, es una escritora francesa que publicó bajo los pseudónimos Jean de Berg y Jeanne de Berg.

Fue al colegio e instituto en París. Fue actriz de cine y fotógrafa. Publicó escritos de temática BDSML’Image, una novela sadomasoquista suya, fue publicada en 1956 por la editorial MinuitRadley Metzger convirtió la novela en una película en 1974La imagen, también conocida como El Castigo de Anne.

Ella es también autor de Ceremonia de mujeres (ed. Grasset) (1985), escribiendo con el pseudónimo de Jeanne de Berg y Entretien avec Jeanne de Berg (ed. Les Impressions Nouvelles) (2002) bajo el nombre de Catherine Robbe-Grillet. En 2004, ella escribió, con su propio nombre, Jeune mariée: Journal, 1957-1962 (ed. Fayard), un resumen de sus primeros años de matrimonio. Su publicación más reciente es Le Petit Carnet Perdu (marzo de 2007, ed. Fayard) bajo el nombre de Jeanne de Berg. Su última aparición como actriz fue en 2006, en Une Belle Enfant Blonde, una obra basada en los escritos de Dennis Cooper.

Se casó con Alain Robbe-Grillet en París el 23 de octubre de 1957.

catherine-robbe-grillet

catherine-robbe-grillet

  • L’image par Jean de Berg. Paris: Éditions de Minuit, 1956
  • Cérémonies de Femmes par Jeanne de Berg. Paris: Éditions Grasset 1985
  • Entretien avec Jeanne de Berg par Catherine Robbe-Grillet. Paris: Éditions les Impressions Nouvelles 2002
  • Jeune mariée: journal, 1957-1962 par Catherine Robbe-Grillet. Paris: Fayard 2004
  • Le Petit carnet perdu par Jeanne de Berg. Paris: Fayard 2007

 

Francoise Sagan and Jeanne de Berg

Francoise Sagan and Jeanne de Berg

Sur le plateau d’Apostrophes : Bertrand POIROT DELPECH pour son album “Bonjour Sagan”, Françoise SAGAN pour sa préface de “Lettres d’amour” entre Sand et Musset, Roger PEYREFITTE pour “Voltaire sa jeunesse et son temps”, Hugo CLAUS pour “Le chagrin des Belges” et Jeanne de Berg pour “Cérémonies de femmes”. Françoise SAGAN a accepté de rédiger cette préface pour effacer les calomnies au sujet des rapports entre Musset et George Sand, explique-t-elle. Elle insiste sur la modernité de ce couple et bien qu’elle aime Musset conserve son estime à George Sand. Bertrand POIROT DELPECH dit son admiration pour Françoise SAGAN et parle de l’album qu’il lui a consacré. Roger PEYREFITTE consacre une biographie à Voltaire, un Voltaire inattendu et sulfureux. J’ai écrit dit il un ouvrage pour distraire les gens. Hugo CLAUS, écrivain de langue Néerlandaise fait dans ce livre “le chagrin des Belges” une charge ironique contre la religion catholique, la famille et la Belgique. Il se sent très Flamand dit il, et barbare par rapport à l’esprit Français. Jeanne de Berg, (pseudonyme de Catherine Robbe-Grillet) le visage dissimulé derrière un masque afin qu’on ne reconnnaisse pas la femme d’un écrivain célèbre (au bout de quelques minutes tout le monde aura compris qu’elle est l’épouse d’Alain Robbe Grillet) fait l’apologie des soirées sadomasochistes qu’elle organise. “Pour moi, les soirées que j’organise sont très belles, je dois les porter à un point d’incandescence, où tous les gens qui sont avec moi sont pris dans une espèce de tension dramatique qui est analogue à une espèce de sacralisation provisoire”.

Catherine Robbe-Grillet, en un hotel de París el pasado mes de febrero. / ERIC HADJ

Catherine Robbe-Grillet, en un hotel de París el pasado mes de febrero. / ERIC HADJ

 

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Catherine Robbe-GrilletBernard-Henri Lévy et Olivier Corpet se sont réunis pour un débat à la suite d’une projection en l’honneur d’Alain Robbe-Grillet. Retrouvez ci-dessous la vidéo ainsi que les photos de cette rencontre, le 5 décembre 2013 au cinéma Le Nouveau Latina, à l’occasion de la sortie de l’intégralité des films de l’écrivain-cinéaste dans un coffret DVD.

Photos : Yann Revol

Soiree-Robbe-Grillet-Bernard_Henri-Levy

Soiree-Robbe-Grillet-Bernard_Henri-Levy

Soiree-Robbe-Grillet-Bernard-Henri_Levy Soiree-Robbe-Grillet-Bernard-Henri-Levy Soiree-Robbe-Grillet-Bernard-Henri-Levy_Olivier-Corpet Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol Soiree-Robbe-Grillet-Catherine-Robbe-Grillet-Bernard_Henri-Levy Soiree-Robbe-Grillet-Catherine-Robbe-Grillet-Bernard-Henri_Levy Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol Photo Yann Revol
Soiree-Robbe-Grillet-Bernard_Henri-Levy

Soirée en l’honneur d’Alain Robbe-Grillet por laregledujeu

dossier FILES: making contact: Belle Knox ~PornStar “Feminism is not a gulag…”

“Feminism is not a gulag…”

Belle Knox

Belle Knox

https://twitter.com/belle_knox

TIME Defends ‘Feminist’ Duke Porn Star……

source: http://www.truthrevolt.org/news/time-defends-feminist-duke-porn-star

Bellee Knox, the infamous Duke University student acting in porn to pay for tuition, has garnered a few fans in the feminist community, particularly, Charlotte Alter of Timewho valiantly came to Knox’s defense, calling her “kinky” lifestyle as feminist as Betty Friedan.

Alter’s article comes in response to a manifesto Knox put out on XOJane where she attempted to dispel some of the myths about her choice to act in porn, saying her decision to act on a rough porn website and her unyielding love affair with masochistic sex as something entirely feminist because she chooses to do it willingly, and as long as she “chooses” porn, she should be empowered, and to “shame” her would be anti-feminist Knox believes; Charlotte Alter agrees. Alter states:

She’s ultimately right that empowered women can also enjoy kink. Feminism is not a gulag– it’s not like there are guards that will shoot you if you try to escape for the night. Let’s get rid of this idea that feminism is an all-or-nothing pursuit that has to be 100% consistent because, as early feminist Margaret Fuller’s BFF Ralph Waldo Emerson put it, “consistency is the hobgoblin of little minds.”

Besides, isn’t the whole point of a fantasy to be an escape from what other people think is appropriate? If what you’re doing is “appropriate,” it’s probably not hot. I don’t even want to know what a politically correct sex life would look like, but it sounds boring.

Alter’s only reservations for Knox’s manifesto are that she’s still a teenager, admits to have suffered from depression, and that porn can sometimes be too “dude-centric.” Alter recommends Knox get involved in the hot new market of “feminist porn” instead, or perhaps turning her whole porn career into “some kind of long research experiment for a Women & Gender Studies paper.”

In the end, Alter feels feminists should cheer Knox’s decision to trade sex for cash while complete strangers watch, because, as she puts it, “We believe sexual assault survivors when they say the sex wasn’t consensual. We should also believe Belle Knox when she says it was.”

IN DEFENSE OF KINK: MY FIRST ROLE AS THE DUKE PORN STAR WAS ON A ROUGH SEX WEBSITE, AND NO, THAT DOESN’T MAKE ME A BAD FEMINIST

Kink does not disqualify me as a feminist. No matter how many concern trolling essays are written.

Mar 18, 2014 at 10:24am | 891 comments

When I agreed to film that rough sex scene, I knew what was in store for me. I knew that it was a game of psychological degradation as much as physical. I knew as it was unfolding and I saw exactly how they were trying to "break me." I realize that the visual of me with a facial at the end was nothing compared to the close-ups the site provided of my skin revealing scars from my most vulnerable past when I was a cutter. This is a fact that my haters have taunted me for, their words dripping in condescension and insensitivity.

When I agreed to film that rough sex scene, I knew what was in store for me. I knew that it was a game of psychological degradation as much as physical. I knew as it was unfolding and I saw exactly how they were trying to “break me.” I realize that the visual of me with a facial at the end was nothing compared to the close-ups the site provided of my skin revealing scars from my most vulnerable past when I was a cutter. This is a fact that my haters have taunted me for, their words dripping in condescension and insensitivity.

MORE: I am not going to apologize for getting turned on by embracing an archetypal submissive role during sex. The same way that a powerful CEO businessman likes to visit a dominatrix in his off hours, I am not ashamed to admit that I enjoy the pleasure derived from these rough scenes. It provides a cavewoman-like epiphany that no intro to feminist studies ever will. It is raw and exhilarating. But that’s my choice — which is what matters here. I know it is not for every woman.

As a strong, assertive young woman, sometimes it’s fun to reverse roles and play around with my personality. I can be psychoanalyzed in a million different ways, but sometimes there’s just no rhyme or reason: I like what I like, and I won’t live in shame because of it.

Do I regret shooting a scene with this website? Yes. Do I think I deserve to be demonized for it? Absolutely not.

As I have learned more about the BDSM community, I have let myself become educated about safe, sane and consensual BDSM — which exists as a polar opposite of a reality in which women constantly face the threat of sexual violence.

BDSM is all about consent. Abuse is all about a lack thereof.

HERE: http://www.xojane.com/sex/belle-knox-duke-porn-star-rough-sex-feminism-kink

Duke Porn Star Speaks Up for Submissives

Posted by  × March 18, 2014 at 10:40 am

Pornstarring Duke University undergradding Belle Knox has spoken out about her love of BDSM, after a Time magazine journalist challenged Knox’s feminist credentials for shooting a scene for a BDSM sex site. Knox’s spirited defense of rough blow jobs, bedroom degradation and dirty whoring ran in xoJane this morning.

Ever since I was a child, I’ve had some masochistic tendencies. When I was a young girl and my friend and I would play house, I would ask her to lock me in her dog cage. I was not fully aware of it, but it physically and mentally aroused me. I didn’t know why, but I liked it. Suddenly, I found myself in an entirely different role. I felt for the first time what it was like to be helpless and trapped. It was exciting. It was different.

Of course, she says, that hasn’t set well with feminists who confuse bedroom fantasies with real life submission. And as if to prove it, she’s defying their authority to speak up for submissives.

Over the years, the BDSM community has been marginalized from the mainstream. We are called freaks. Submissives are labeled as victims of abuse; they must be emotionally disturbed to enjoy being tied up and choked, we rationalize. Submissive feminists have it even worse. The community that we identify with dismisses our desires or pegs us as unwitting victims. We are told that we are part of a social dynamic that seeks to violate all women…

But I would not — and I will never — take back my love of kink.

Could we love her want to smack her and call her a whore any more than we already do? Yes. (With her consent, of course.)

In Defense of Kink (xoJane)

 
Belle Knox

Belle Knox

 
Tags:  ×  ×  × 
 

Publicado el 6/03/2014

Duke University student Belle Knox” Full interview on Piers Morgan show

Are BDSM and Feminism Compatible?

Posted by  × January 9, 2014 at 11:39 am
 

BDSM vs Feminism

XOJane doesn’t just dole out advice in a classic Ask Angela style. They’ve created a series called “You Are the Advice Columnist” where readers can submit their own questions and advice about certain topics.

Recently a woman submitted a question that centered around her concern that her BDSM lifestyle might not be compatible with her feminism – and it isn’t just her beliefs that may contradict her feminism; other feminists are not all too friendly about her attempting to straddle the line:

“XOJane, I’ve found myself struggling for the last year with personal, but conflicting interests. I strongly consider myself a feminist, yes I could be more well read in the history, and politics, but that’s pretty much where my allegiances are. My feminism isn’t the root of the issue, it’s my realization and passion being kinky!”

“[…]I feel like I’m betraying my feminist beliefs by enjoying something that from the outside seems very misogynistic. I’m feeling guilty, and confused about the whole matter. I can’t stop being ether.  I’ve gotten poor reactions when my interest in BDSM has come up around other feminists.”

It’s a topic that many feminists discuss heatedly. Join the discussion, and read the rest of her question onXOJane or start a conversation in our comments section.

You Are The Advice Columnist: Feminism Vs. BDSM (XO Jane)

 

 

 
Stoya

Stoya

 
 
Tags:  × 
 
BDSM KINK.COM

BDSM KINK.COM

RETHINK ROBOTICS #robot #chip #MileyCyrus #propaganda #hipnosis

http://www.rethinkrobotics.com/

CONVERGENCIA HOMBRE – MAQUINA

El ser humano es cada vez más mecánico, la máquina se hominiza [que no humaniza] peligrosamente olvidando el soplo vital.

Ninguna máquina es capaz de captar PRANA.

En el marco del hinduismo, el praná es una palabra en sánscrito que significa ‘aire inspirado’.

IBM-creara-cerebro-humano-artificial

IBM-creara-cerebro-humano-artificial

Baxter Robot

Baxter Robot

Meet Baxter, a revolutionary new category of Robot from Rethink Robotics that is capable of applying common sense behavior to manufacturing environments. Affordably priced, versatile and safe enough to work shoulder-to-shoulder with people, Baxter robots redefine how small, mid-size and large domestic manufacturers use automation to compete with manufacturers in low-cost regions of the world.

Rethink Robotics: Baxter Intro

Rig-veda

Texto sánscrito (el idioma espiritual) Rig veda

Texto sánscrito (el idioma espiritual) Rig veda

LOS NIHILISTAS ADINERADOS SUMIDOS EN LA IGNORANCIA DEL OLVIDO DE LOS ORÍGENES Y FALTOS DE FÉ, CONDICIONADOS POR LA IDEA DE LA MORTALIDAD, ATERRADOS,

INVIERTEN SUMAS ENORMES EN LA INVESTIGACIÓN DEL TRANSHUMANISMO PERVERSO PARA ALCANZAR LA INMORTALIDAD A TRAVÉS DE LA FUSIÓN CON LAS MÁQUINAS.

TRANSHUMANISMO

TRANSHUMANISMO

El transhumanismo es tanto un concepto filosófico como un movimiento intelectual internacional que apoya el empleo de las nuevas ciencias y tecnologías para mejorar las capacidadesmentales y físicas con el objeto de corregir lo que considera aspectos indeseables e innecesarios de la condición humana, como el sufrimiento, la enfermedad, el envejecimiento o incluso en última instancia la mortalidad. Los pensadores transhumanistas estudian las posibilidades y consecuencias de desarrollar y usar la tecnología con estos propósitos, preocupándose por estudiar tanto los peligros como los beneficios de estas manipulaciones.1

El término «transhumanismo» se simboliza como «H+» (antes «>H»), y es usado como sinónimo de «humano mejorado».

Aunque la primera vez que se usó el término «transhumanismo» data de 1957, el significado contemporáneo se desarrolló en los años ochenta, cuando un grupo de científicos, artistas y futuristas establecidos en los Estados Unidos empezó a organizar lo que desde entonces ha crecido hasta constituir el movimiento transhumanista. Los pensadores transhumanistas proponen que los seres humanos se transformen en seres que expandan sus capacidades hasta devenir en posthumanos.2

A pesar de lo reducido del número de personas que se calificarían a sí mismas como tales, las visiones transhumanistas de una humanidad futura profundamente transformada han atraído a un gran número tanto de críticos como de partidarios de todo tipo. Ha sido descrito por Francis Fukuyama como «la idea más peligrosa del mundo»,3 mientras que Ronald Bailey considera que es un «movimiento que personifica las más audaces, valientes, imaginativas e idealistas aspiraciones de la humanidad».4

christina_aguilera_bionic_album_cover

christina_aguilera_bionic_album_cover

ROBOT PROGRAMADO: Referencia al control de la mente.

Christina Aguilera – Not Myself Tonight

SIMBOLO DEL TRANSHUMANISMO

SIMBOLO DEL TRANSHUMANISMO

EL CHIP PRODIGIOSO

CHIP CHIP BANG BANG

CHIP CHIP BANG BANG

HE AQUI EL CHIP PRODIGIOSO CON FORMA DE CAPSULA FARMACEUTICA CURATIVA. TRAGATELO Y VIVE EN UN EL MUNDO FELIZ DEL HORROR.

ENJOY THE CHIP - CAPSULA - FALO

ENJOY THE CHIP – CAPSULA – FALO

CHIP director para esclavos

CHIP director para esclavos

CONTINUARÁ……………..

Britney Spears VIDEO – Work B**ch TRABAJA ZORRA

Trabaja Zorra

Trabaja Zorra

HiphopHipnosis

HiphopHipnosis

 

BDSM

BDSM

 

 

The Juliette Society / Sasha Grey

Sasha Grey is a woman of many talents, the most famous of which we are sure you are aware of. Some of you may also recognise Sasha from her serious acting work, while she has now turned her hand to writing. Sasha has penned the novel The Juliette Society, the first in a series, which she says will be compared to the Fifty Shades of Grey series.

Grey told The Daily Beast, “I guess I’ve always been attracted to secret societies and the mystery surrounding them. Eyes Wide Shut was obviously a huge influence, but I tried not to muddy the book with that as a reference. It’s also very relevant today. You can’t go one week without hearing about some sort of sex scandal. But it’s more about Catherine’s fantasies and dream state. And I didn’t want to give too much away, because my hope is to write a sequel.”   She added, “People are going to compare this to Fifty Shades of Grey, and I’m OK with that, but it’s not that—it’s an erotic novel. Someone read a galley of the book before it was finished and said, “This isn’t the book I thought it was going to be,” so this was me venting my rage about that.”




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LA VENUS A LA FOURRURE Film by Polanski

SINOPSIS

Solo en un teatro parisino después de un día de audiciones de actores para la pieza que va a presentar, Thomas se lamenta al teléfono por la mediocridad de los candidatos. Ninguno tiene la envergadura necesaria para el papel principal. Cuando se disponía a partir, llega Vanda, verdadero torbellino de energía, desenfrenada y avispada. Vanda encarna todo lo que Thomas detesta. Es vulgar, atolondrada y no retrocedería ante nada para obtener el papel. Pero cuando Thomas, sintiéndose obligado le deja probar suerte, queda perplejo y cautivado por la metamorfosis de Vanda. No solamente ha adquirido accesorios y vestuario, sino que también comprende perfectamente el personaje (tienen el mismo nombre) y conoce todas las líneas de memoria. Mientras la «audición» se prolonga y aumenta la intensidad, la atracción de Thomas se transforma en obsesión…

via: http://www.festival-cannes.fr/es/archives/ficheFilm/id/11409865/year/2013.html

Roman POLANSKI

Roman POLANSKI

CRÉDITOS

ACTORES

Leopold von Sacher-Masoch (*27 de enero de 1836Lemberg– 9 de marzo de 1895, Lindheim, Fráncfort del Meno), fue un escritor austríaco reconocido en su época por sus descripciones de la vida, paisajes y costumbres de todas las regiones que formaron el Imperio Austrohúngaro.
En nuestros días su celebridad se debe ante todo al escándalo que acompañó la publicación de algunas de sus novelas, en particular de La venus de las pieles, y a ser el apellido Masoch el inspirador de la palabra masoquismo, cuya utilización para definir ciertos comportamientos sexuales aparece por primera vez en Psicopatía sexual (1886), de Krafft-Ebing, quien le otorgó este dudoso honor a causa de las peculiares aficiones de sus personajes.
Cast: James Darren, Barbara McNair, Klaus KinskiGermany/Italy/UK, 1969, 35mm, color

Jesús Franco Manera, better known as Jess Franco, died on April 2 at home in Málaga, Spain. The astonishingly prolific writer/director/producer was responsible for over 180 feature films, most of them lurid, subversive, and highly energetic pulp. His films bop with the rhythms of jazz and mambo. Admired by Orson Welles, Fritz Lang and many other filmmakers, Franco chose to make movies cheaply and promiscuously, sometimes filming more than a dozen full-length features in a single year.
VENUS IN FURS is one of Franco’s best and most easily accessible films. Despite its title it is not based on the classic S&M novel. Instead, Franco drew his inspiration from legendary jazz trumpeter Chet Baker, who described to him one of the long reveries he experienced while playing a solo. The film’s narrative is a fever dream about a mysterious woman who washes ashore nude on a beach and is discovered by a jazz trumpeter, who happened to be digging up a buried horn in the area. It’s allegorical, obtuse, and filled with sex, drugs, and violence, generally in combination. Gorgeous and full of improvised visual ideas, VENUS IN FURS is as complete an expression of Franco’s aesthetic as you’ll get.
 

Venus in Furs (1969) Trailer

 

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La Vénus à la fourrure : le faux pelage de Polanski

 

La Venus à la fourrure (Polanski) – Conférence de presse

 

Directed by Roman Polanski
Produced by Robert Benmussa (fr)

Alain Sarde

Written by David Ives

Roman Polanski

Starring Emmanuelle Seigner

Mathieu Amalric

Music by Alexandre Desplat
Cinematography Paweł Edelman
Distributed by Lionsgate(International)[1]
Release date(s)
  • 25 May 2013 (Cannes)
Running time 90 minutes
Country France
Language French