Gosling interpreta a Julian, un criminal miembro de una familia mafiosa que opera en Bangkok. Tras el súbito asesinato de su hermano, su madre (Kristen Scott Thomas) llegará a la ciudad buscando respuestas y ordenando a Julian que acabe con el culpable: un policía tailandés conocido como “El ángel de la venganza”.

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Only God Forgives Soundtrack

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Only God Forgives is set in the criminal underbelly of Bangkok. Gosling stars as Julian, who runs a Thai boxing club that’s really a front for his family’s drug smuggling operation. When his brother is killed, bad-ass mama Jenna (played by Kristen Scott Thomas) demands her son seek revenge.

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Gosling and Refn Chat Violence and Sex in ‘Only God Forgives’ Behind the Scenes Clip

http://www.ropeofsilicon.com/gosling-and-refn-chat-violence-and-sex-in-only-god-forgives-behind-the-scenes-clip/

Radius-TWC has released a new, 60-second behind the scenes clip featuring Only God Forgivesstar Ryan Gosling and director Nicolas Winding Refn, displaying their overall working relationship and friendship while on set and off.

Refn does his best to explain the similarities between sex and violence while Gosling eyeballs the camera, Gosling does a little boxing training and then there’s a little on set action.

Nothing is spoiled from the film in this clip so if you typically like to stay clear of too much marketing, don’t worry about this one.

Only God Forgives will have its world premiere at the Cannes Film Festival later this month followed by a North American premiere at the L.A. Film Festival in June and then will finally hit theaters on July 19.

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Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, cinematographer, and editor who did most of his work as an expatriate in the United Kingdom. He is regarded as one of the greatest filmmakers of all time. His films, typically adaptations of novels or short stories, are noted for their “dazzling”^[1] and unique cinematography, attention to details to achieve realism and an inspired use of music scores. Kubrick’s films covered a variety of genres, including war, crime, romantic and black comedies, horror, epic and science fiction. Kubrick was also noted for being a perfectionist, using painstaking care with scene staging and working closely with his actors.

Starting out as a photographer in New York City, he taught himself all aspects of film production and directing after graduating from high school. His earliest films were made on a shoestring budget, followed by one Hollywood blockbuster, Spartacus, after which he spent most of the rest of his career living and filming in the United Kingdom. His home at Childwickbury Manor in Hertfordshire (north of and near to London) became his workplace where he did his writing, research, editing and management of production details. This allowed him to have almost complete artistic control, but with the rare advantage of having financial support from major Hollywood studios.

Many of his films broke new ground in cinematography, including 2001: A Space Odyssey (1968), a science-fiction film which director Steven Spielberg called his generation’s “big bang,” with innovative visual effects and scientific realism.^[2] For Barry Lyndon (1975), Kubrick obtained lenses developed by Zeiss for NASA in order to film scenes under natural candlelight and The Shining (1980) was among the first feature films to make use of a Steadicam for stabilized and fluid tracking shots. As with his earlier shorts, Kubrick was the cinematographer and editor on the first two of his thirteen feature films. He directed, produced and wrote all or part of the screenplays for nearly all his films.

While some of Kubrick’s films were controversial with mixed reviews, such as Paths of Glory (1957), Lolita (1962), and A Clockwork Orange (1971), most of his films were nominated for either Oscars,Golden Globes or BAFTAs, and were later acclaimed as being masterpieces. Film historian Michel Ciment considers his films to be “among the most important contributions to world cinema in the twentieth century.”^[3] One writer states that “Kubrick is a legend in every sense of the word, and is one of the most influential, shocking, and well-respected men in the history of film,”^[4] while directorNorman Jewison calls him one of the “great masters” that America has ever produced.^[5]

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Model Carol Vega

Photographer Stephen Roissy

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Model Carol Vega by Stephen Roissy

Model Coco

Photographer Stephen Roissy

Model Coco by Stephen

SUMO by Helmut Newton

The Making

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by Clayton Cubitt

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